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For highest quality versions of the songs and some liner notes, read on ye pilgrim! 




no snake in the tree (2020)

I made no snake in the tree during the first year of the pandemic in 2020. It is my first self-produced album. I moved back to Gippsland from Nashville in 2018 and went into a period of solitude. In 2019, by chance at a bush doof in the mountains near home, I met my now wife Mim. All the songs relate to that time in my life in some way.


"We got a second shot at eden, with no snake in the tree."


Easter egg: the broadcaster at the beginning of some shit don’t burn is Mim herself. She works for abc radio gippsland and was broadcasting the day that Mallacoota was encircled by flames during the horrific black summer of 2019/2020. 


Liner Notes for no snake in the tree

it was 3 years ago

I found myself at a crossroad 

I had a decision to make 

which road would I take?

the label had decided to shelve my second album

no commercial viability, 'that's a hard sell man'

the stars that aligned for me once had long since dispersed

I was poison, I was nothing, I was broken, I was cursed 

I was down in the dumps and my choices were plain

I could keep nipping at their heels 

and keep playing their game

but I’d wind up sounding 

much like much of the same

or I could cut myself loose

return to amateurity 

break out of their eden

and set myself free in obscurity

but that freedom was a wilderness

immune not to despair

I found out I was nothing

if there was no one else there

so I wrote and I played

and I scratched and I saved

and I took it all the way 

for 3 long years

I kept myself awake

looking for my purpose

in pursuit of the chase

one moment I would have it 

and there are scratches

there are errors

and it’s blemished to the core

but from the heart to the eye

better a broken truth

than a pristine lie


life before the 3rd world war (2017)

I made life before the 3rd world war at Foggy Mountain studios in Laguna NSW and in part in Nashville, Tennessee. It was produced by Nash Chambers. There were many attempts to find the right mix of personnel for these songs, we were searching for a non-restrictive country tinge.  We found it in the late Glen Hannah (electric guitar & dobro), James Hazelwood (electric bass & double bass), Sam Hookey (piano) and Syd Green (drum kit). What is the album about? My life was in somewhat of a strange holding pattern at the time of writing these songs. I was touring around constantly and navigating some complex relationships to say the least. I won’t share any of the specifics here, I’ll let you know over a beer sometime how about that? The couple of political songs on the record are polemics against capital punishment and you know, the whole capitalist system man


misdiagnosed (2014)

misdiagnosed is my first record. It garnered a best blues and roots ARIA nomination and took me around Australia on one wonderfully debauchered tour around Australia with Busby Marou. We had a great time, the we being myself and the band who play on this record, my brothers Jack & Sam Hookey (electric guitar and bass, piano and banjo respectively), and Nash Chambers (drum kit). Nash also produced the record. We made it over the course of 2 weeks at Foggy Mountain studios in Laguna, NSW. I’ll never forget making the album with my brothers. You can hear the blood harmony and the buzz of recording an album for the first time imbued in each track. The title relates my pivot from a career in the law to a career making music. Beware your diagnosis, and be more wary still of your diagnoser. That’s all I have to say about that.

Easter egg: the album's cover was originally an artful photo of a topless woman named Cowboy Kate. It was taken by South African fashion photographer Sam Haskins in the 1960s. I made the executive decision to change the cover to be more in step with modern times. No one has ever complained about the album cover, and never was the intention to show any disrespect (quite the contrary, at the time I thought it was a  celebration of the female form). In later years however, I came to the conclusion that the album cover wasn't doing any favours to body image expectations, or to the universal truth that what is sexy is diverse.  Learning is changing, and there's no shame in that. Enjoy the tunes gang! H